I am woman (Artists Proof)
I am woman (Artists Proof)
40 x 30 “
22k gold, zinc and copper alloy, archival pigment inks on somerset cotton paper with a hand deckled edge, each uniquely hand embellished
$ 3250.00 AP*
Ed.10 +2 Artists proofs (1 remaining)
Within the resounding declaration "I am Woman, Hear me Roar," Elizabeth Waggett encapsulates a poignant ode to feminine strength and resilience. This hand finished edition emanates a fervent acknowledgment of the formidable amalgamation of fearlessness, authenticity, and femininity. Waggett deftly navigates the intersection between the raw and refined, seamlessly intertwining the intimate with the grandiose. The utilization of precious metals, inherently possessing a primal allure, harmonizes impeccably with the thematic undercurrents coursing through her work.
In a homage to her artistic heritage and the rich tapestry of Victorian aesthetics, Waggett incorporates delicate gilding, imbuing her creations with an ethereal quality. Central to her artistic exploration is the title piece, "I am Woman, hear me roar," wherein Waggett candidly reflects on the boundaries she transcends through her mastery of craftsmanship. This magnum opus represents a departure from her previous oeuvre, characterized by a bold experimentation with scale, the fusion of diverse textures and materials, and a deliberate subversion of conventional artistic norms.
Waggett's evocative statement underscores her unwavering commitment to pushing the boundaries of her artistic expression, emboldened by a fervent desire to dismantle preconceived notions of femininity and strength. In "I am Woman, Hear me Roar," Waggett emerges as a vanguard of contemporary art, championing the indomitable spirit of womanhood with unwavering grace and tenacity.
*Artist’s proofs are generally considered a status symbol in the world of art collecting. Their resale value is proportionally higher than the numbered editions.
Artists Proofs are impressions of a print taken during the printmaking process. They are used to evaluate the current state of a plate, stone, etc. while it is still being worked on by the artist. The artist will pull proofs to evaluate issues such as color and line and then alter the plate, stone, etc. accordingly until the print is perfected to the artist’s standards.
After perfecting the print, the artist will set aside a number of “artist’s proofs.” Though technically considered proofs, the quality of these prints is the same as those from the regular edition. Artist’s proofs are not included in the regular edition but are still of the same high quality; they are exactly the same as works from the regular edition, but are not numbered or noted as works from the regular edition.
Instead, artists will often designate artist’s proofs with the initials ‘A.P.’ for ‘Artist’s Proof’. The amount of artist’s proofs is 10% or less of the full edition, so for this edition of 100 there is only 10 APs.
Artist's proofs maintain their collectability and value because A) They are a small subset of the edition, and B) they usually come directly from the artist. In these days of mass marketing, getting something directly or even indirectly from the artist is rare.